Book 1 is a personal editorial project born from a simple motivation: to make something purely because I wanted to. No client brief, no deliverables checklist — just a question about typography and how letters inhabit space. The result is a self-published, limited edition book exploring experimental typographic composition.
Complete editorial design from concept to print: content curation, typographic layout, grid system, paper and binding specification, print production management, and final distribution. Each spread was treated as a compositional exercise — testing the tension between legibility and expression, between order and disruption.
A physical object that exists as both a design artifact and a personal statement. Printed in a limited run and shared with a small circle. The project sharpened my typographic instincts and reminded me why I work in design in the first place — for the pleasure of making something well.